Arctic Rays!

Arctic Rays, a wispy fringe, is made in Italy and is 100% Nylon.  Each card has 8 yards or 7.3 meters and makes perfect long stitches on 14 to 18 count canvas.  See colors

This yarn can best be described as a wispy fringe. It has pieces of transparent fiber that give a glistening effect. Do not drag this yarn across the canvas. Use a larger than normal needle to prepare the canvas holes to accept the Arctic Rays without pulling it apart. The glistening effect of this yarn is more pronounced with long stitches, as less of the fringe is pulled into the canvas. Arctic Rays also makes wonderful French Knots.
(1 strand 14-18 Long Stitches) – Rainbow Gallery

Arctic Rays




Angora!

Angora!  This thread is made of a 100% luxurious Angora-(made from the hairs of the Angora goat or Angora rabbit). This thread has 7 yards to a card and is available in 21 colours.  I carry 15 of the 21 and those 15 are perfect for animals, hair, beard, etc.  colors.  (SEE COLORS)

A luxurious furry yarn that is 100% Angora. You must use pieces that are no longer than 20 inches. While not a fiber that will fall apart, you do not want to cause it to wear as you stitch. Come straight up through the canvas and straight down, being careful not to drag it along on top of the canvas or pull it on an angle. Rainbow Angora can be brushed carefully to bring out a more pronounced furry effect. Long stitches are preferred if you want a furry effect as fewer of the hairs of the fiber will be pulled into the canvas.
(1 strand 13-16 count, long stitches to 18 count) — Rainbow Gallery



Just a post

Sometimes it is really really hard to come up with a title to a post!  So today is just a post!!  Tomorrow look for the next installment on threads…next up ANGORA!  Yesterday was Wednesday Stitch-in’ and it was great!  Not only did we have the great regulars but we had great out-of-town company…and what makes this all even more special is the fact these three met at the shop to stitch and they are cousins from different towns!! Montgomery, Birmingham and Merritt Island, Florida!!

Cousins!!

Alpaca 18

I have been reorganizing the threads at the shop and I have received new colors in several lines of the Rainbow Gallery threads such as Silk Lame’,  Petite Very Velvet, Fuzzy Stuff, etc.  This all had me thinking about how sometimes there are threads we know  all about and we love and use them all the  time or we are not fond of at all and totally avoid!  Then there are some threads we avoid or do not use because we know very little about them or do not even realize they exist!!  I thought this would be a great opportunity as I reorganize them in the shop to share each thread with you.  I am going to start with the lines of Rainbow Gallery.  Rainbow Gallery has 55+ different style threads from literally A to Z…Alpaca to Zoo Eyes.  I stock 35+ lines of Rainbow Gallery threads.  I will discuss each thread that Rainbow Gallery produces…one line at a time.  I am going to discuss other threads that I stock also such as Silk & Ivory, Vineyard Silks, Poppies, Belle Soie and many, many more.

I am going to start at the very beginning…ALPACA 18!

This thread is 100% Alpaca, Natural Animal Colors only and 12 yards per card.  It comes in two sizes – Alpaca 18 & Petite Alpaca.  Alpaca 18 to be used on 14 to 18 ct needlepoint canvas comes in 19 colors. (see colors)

Petite Alpaca which works on Cross Stitch 14-18, 18 count needlepoint and over 2 on 25-32 Cross Stitch comes in 9 colors.

Use this as you would any normal yarn. It is strong and will not fray easily. If desired, you may brush it with a Bunka Brush or toothbrush to fluff it up to maximize the furry effect.
(1 strand13-18 count)   -Rainbow Gallery

Here is Alpaca using horizontal milanese…

Alpaca 18 stitched


Marnie Ritter

The Bug will be hosting a class with Marnie Ritter this fall!!  You do not want to miss it!!  But before I give you the details of the class I would like to share with you a portion of Marnie’s design philosophy and a couple excerpts from her books…

Color, color, color – this is a very important part of my designing concepts.  Don’t be afraid to work on pieces that are not necessarily “your colors”.  You will open up and find something that you hadn’t enjoyed prior to the experience.

Open space – open areas are just as important as  closed, covered areas.  The negative space is an important design balance.

Less is better – fewer threads often let the stitch tell it’s story.

As needleartists we know how much we share and get ideas from on another, whether it is in a class environment, through a correspondence course or by simply working a design offered by another needleartist or designing our own.

Variations is the key word here because , by varying patterns, there are so many possibilities that allow you to continually devise new and innovative canvas patterns.  The next question is just how do these variations come about?  That is what we will explore…, and my hope is that you too will develop variations that will make your needlework projects just that much more exciting and creative.
In 1978 I did the first plate design for the cover of Needlepoint News.  I was at the TNNA needlework market.  It was then that I was asked by the editor/publisher Carol LaBranch to take a painted canvas and see what I could do with it for the March issue.   Thus the “Imari Plate” was born.  Those “plate” designs have continued since that time for Needlepoint News, Needlepoint Plus and presently Needlepoint Now.  There are now twenty one of them and more to come.

This 1978 plate was the beginning of enhancing painted canvases using surface embroidery, counted patterned stitches, laid work, different threads beyond wool such as silks and metals but most of all I decided to leave open canvas.  I liked that this open canvas concept allowed the painted background to show through adding yet another dimension to the texture and depth that we now enjoy achieving.

Marnie  will be in Montgomery to teach the two-day workshop “PATTERNS GALORE”  for The Needle Bug.

When:   November 1st & 2nd            9am until 4 pm

Where:  Holiday Inn Express 9250 Boyd Cooper Parkway  The Chantilly Room  DIRECTIONS

Fee:    $150 which includes 12 x 12 canvas, evertite stretcher bars, lunches, reception at The Bug Monday  evening, Marnie Ritter’s Canvas Patterns Three Book

***Stitchers are to bring their usual stitching accessories ex. scissors, frame stands, etc.  We ask that you bring your light/lamp, your thread stash (to include beads), and a ruler.  Emails will be sent to participants.